You can't really call Roy Andersson
prolific, (6 films in 37 years). Nor can you accuse him of being
conventional; he doesn't do 'straight-forward', at least when it comes
to narrative. "You, the Living", his first film in seven years, is like a
surreal documentary in which a large number of characters are observed
doing nothing very much and if that sounds off-putting, let me assure
you it isn't. This is a funny, accessible and surprisingly warm-hearted
movie, a slice-of-life far removed from that which we normally see on
the screen.
Of course, 'slice-of-life' is hardly the proper moniker to apply to this movie since most people's lives are unlikely to be anything like this. The incidents on the screen run the gamut from the almost terrifyingly ordinary to the downright wacky and while characters may flit by, sometimes never to be seen again, others to reappear as if anxious for approval, Andersson bestows on them all a kind of benign affection. That, and some rollicking music, ensure the time we spend with them is time well-spent.
Of course, 'slice-of-life' is hardly the proper moniker to apply to this movie since most people's lives are unlikely to be anything like this. The incidents on the screen run the gamut from the almost terrifyingly ordinary to the downright wacky and while characters may flit by, sometimes never to be seen again, others to reappear as if anxious for approval, Andersson bestows on them all a kind of benign affection. That, and some rollicking music, ensure the time we spend with them is time well-spent.
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