More post-modern twaddle but a fun movie nevertheless, Guy Ritchie;s THE
MAN FROM U.N.C.L.E. is his big screen treatment of a now almost
forgotten long-running tv series. If the original small screen version
tended to take itself a mite too seriously this is an out-and-out
pastiche, made very much in Ritchie's trademark slam-bang style.
Stepping into the shoes of Robert Vaughan's Napoleon Solo and David
McCallum's Ilya Kuryakin are Henry Cavill and Armie Hammer. If Cavill
tries too hard to mirror Vaughan's clipped vocal delivery, Hammer is
excellent as Kuryakin, creating his character as if from scratch which,
of course, is the point as this is really a prequel to the television
version. Indeed, the more I see of Hammer the more I like him. Alicia
Vikander, too, is very nicely cast as the German girl roped into the
bizarre, slightly confusing and really rather inconsequential plot. Is
it a good movie? Of course not but it does pass a couple of hours very
pleasantly indeed.
I have been reviewing films all my life, semi-professionally in the past and for the past 10 or 12 years on imdb and more recently in letterboxd and facebook. The idea of this blog is to get as many of those reviews gathered together in one place. I have had a great deal of support and encouragement from a lot of people throughout the world and I hope that continues. Now for the ratings. **** = not to be missed. *** = highly recommended. ** = recommended. * = of interest and no stars = avoid..
Sunday, 26 August 2018
THE MAN FROM U.N.C.L.E **
More post-modern twaddle but a fun movie nevertheless, Guy Ritchie;s THE
MAN FROM U.N.C.L.E. is his big screen treatment of a now almost
forgotten long-running tv series. If the original small screen version
tended to take itself a mite too seriously this is an out-and-out
pastiche, made very much in Ritchie's trademark slam-bang style.
Stepping into the shoes of Robert Vaughan's Napoleon Solo and David
McCallum's Ilya Kuryakin are Henry Cavill and Armie Hammer. If Cavill
tries too hard to mirror Vaughan's clipped vocal delivery, Hammer is
excellent as Kuryakin, creating his character as if from scratch which,
of course, is the point as this is really a prequel to the television
version. Indeed, the more I see of Hammer the more I like him. Alicia
Vikander, too, is very nicely cast as the German girl roped into the
bizarre, slightly confusing and really rather inconsequential plot. Is
it a good movie? Of course not but it does pass a couple of hours very
pleasantly indeed.
Subscribe to:
Post Comments (Atom)
No comments:
Post a Comment