This
Val Lewton 'horror' film isn't that well known but it is one of his
best. Inspired by the 'Bedlam' plate from Hogarth's "The Rake's
Progress" it's set in and around the notorious asylum in 18th century
London, presided over by Boris Karloff's cruel Master Sims. For what is
essentially a B-movie it's beautifully designed and very well written by
Lewton himself, under the pseudonym Carlos Keith, and the director Mark
Robson. Karloff is superb and there is an excellent performance from
Anna Lee as the noblewoman who ends up as one of his 'patients' while
the scenes set in the asylum are unusually powerful. If, like "Freaks",
the film feels outwardly exploitative, at its core this is as much a
social-conscience picture as "The Snake Pit" and it remains one of Mark
Robson's best films.I have been reviewing films all my life, semi-professionally in the past and for the past 10 or 12 years on imdb and more recently in letterboxd and facebook. The idea of this blog is to get as many of those reviews gathered together in one place. I have had a great deal of support and encouragement from a lot of people throughout the world and I hope that continues. Now for the ratings. **** = not to be missed. *** = highly recommended. ** = recommended. * = of interest and no stars = avoid..
Sunday, 12 August 2018
BEDLAM **
This
Val Lewton 'horror' film isn't that well known but it is one of his
best. Inspired by the 'Bedlam' plate from Hogarth's "The Rake's
Progress" it's set in and around the notorious asylum in 18th century
London, presided over by Boris Karloff's cruel Master Sims. For what is
essentially a B-movie it's beautifully designed and very well written by
Lewton himself, under the pseudonym Carlos Keith, and the director Mark
Robson. Karloff is superb and there is an excellent performance from
Anna Lee as the noblewoman who ends up as one of his 'patients' while
the scenes set in the asylum are unusually powerful. If, like "Freaks",
the film feels outwardly exploitative, at its core this is as much a
social-conscience picture as "The Snake Pit" and it remains one of Mark
Robson's best films.
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