Anyone who doubted that Bruno Dumont could
do comedy might have been surprised by "P'tit Quinquin" which was
weirdly funny, surreal and highly imaginative. However, if you skipped
"P'tit Quinquin" and have come straight to "Slack Bay", then your doubts
will have been confirmed for this bit of slapstick is about as funny as
an appendectomy. The setting is the Northern French coast in the summer
of 1910 and follows the far-from-hilarious exploits of three sets of
characters; a well-to-to family, there on vacation, a local family of
muscle-gatherers and a couple of policemen, one very large and fat, the
other small and thin, there to investigate some
mysterious disappearances.
The policemen are obviously based on Laurel and Hardy, though it's unlikely this pair will raise a smile let alone a laugh. Dumont's idea of comedy is to have most of his characters fall down at regular intervals though some do take to levitating by the time the film is over. There is, of course, a sicker and more Dumontesque sensibility at work here, since the muscle-gatherers are also a family of cannibals, ('Anyone want more foot', says the mother to her sons), who are killing off the tourists and eating them.
The star, for want of a better word, of this rubbish is Juliette Binoche, cast as a comic grande-dame. At least she aligns herself with Dumont's vision which, in this case, isn't saying much. Visually the film is very beautiful and like "P'tit Quinquin" is weird enough not be boring but that is about all you can say in its favour. This one is for Dumont completists only.
The policemen are obviously based on Laurel and Hardy, though it's unlikely this pair will raise a smile let alone a laugh. Dumont's idea of comedy is to have most of his characters fall down at regular intervals though some do take to levitating by the time the film is over. There is, of course, a sicker and more Dumontesque sensibility at work here, since the muscle-gatherers are also a family of cannibals, ('Anyone want more foot', says the mother to her sons), who are killing off the tourists and eating them.
The star, for want of a better word, of this rubbish is Juliette Binoche, cast as a comic grande-dame. At least she aligns herself with Dumont's vision which, in this case, isn't saying much. Visually the film is very beautiful and like "P'tit Quinquin" is weird enough not be boring but that is about all you can say in its favour. This one is for Dumont completists only.
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