Lund isn't at all bad either, showing a promise that was never really
fulfilled while that fine British actor, Roland Culver, is also very
good as an English Lord de Havilland meets during World War 11. The
main problem is that it feels like a Victorian melodrama of the 'Dead,
Dead and never called me Mother' variety. It is, in other words, very
hard to take seriously as a wartime romance. Hard too, to believe it
came from an original story by Charles Brackett and not from some
door-stopper of a novel, (it crams a lot of plot into two hours). Still,
as a weepie, it does the business and many people are very fond of it.
I have been reviewing films all my life, semi-professionally in the past and for the past 10 or 12 years on imdb and more recently in letterboxd and facebook. The idea of this blog is to get as many of those reviews gathered together in one place. I have had a great deal of support and encouragement from a lot of people throughout the world and I hope that continues. Now for the ratings. **** = not to be missed. *** = highly recommended. ** = recommended. * = of interest and no stars = avoid..
Monday, 24 June 2019
TO EACH HIS OWN **
Given the novelettish material she had to work with Olivia de
Havilland is remarkably good as 'Miss Norris', the middle-aged spinster
who also happens to be mother to an illegitimate son, conceived during
World War 1. He's played by the then newcomer John Lund, in his film
debut, and he also plays his own father. This weepie was directed by
Mitchell Leisen in 1946 and it was a huge hit. It's far from his best
work but Leisen had a knack for taking sub-standard stories and giving
them a depth they didn't deserve. He didn't quite achieve that here but
there are times when this movie does have a ring of truth thanks mostly
to de Havilland who won the Oscar for her performance.
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