Wednesday, 12 June 2019

PARANOID PARK *

If you had to pick one single movie to sum up the 'style' of Gus Van Sant or let people know what Gus Van Sant is all about then "Paranoid Park" is as good an example as any. He made it as late as 2007 but in its mumblecore manner, it could have come from 10 or so years earlier. Although at its heart there is a single traumatic event, (the killing of a security guard), the film is less concerned with that and is more another observation of the dull and largely uneventful life of another of Van Sant's teenage boys, in this case Alex, (the inexpressive Gabe Nevins), who happened to be involved in the man's death but who continues to drift through his life with the same blank expression and lack of concern. It is, in other words, archetypal Van Sant, beautifully photographed by Christopher Doyle and Rain Li and full of pretty boys being pretty vacant.

Isn't it time, I kept asking myself, for Van Sant to grow up. Since nothing very much happens in the picture, (Alex takes to sex the way he does to drinking a milkshake), I wondered what audience, if any, he had in mind. Still, the film was quite a critical success and won several awards so it's obvious that somebody up there likes him. It's by no means a bad film but did we need it? Does anyone, other than Van Sant and the jury at Cannes, really care? Or are we meant to look at this and despair for the state of the world and of American society in particular? If that's his intention then I think we need more than pretty pictures and cute looking kids.

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