
It's a gorgeous looking picture, (the DoP was Gianni Di Venanzo), with one of the most beautiful women ever to grace a movie, Ursula Andress, in the lead but despite being 'futuristic' it's now very much a period piece like most other films from 'the swinging sixties'. The male lead is a slumming Marcello Mastroianni who phones in his performance and acts as if he's on a holiday he isn't enjoying much. However, the film itself displays a fair amount of imagination, considering the limited situations, and is now something of a cult movie.
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