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Laurence Harvey is seriously miscast as the serial insurance fraudster pursued to Spain by Alan Bates' insurance investigator while Lee Remick does what she can with the rather thankless part of Harvey's wife. Bates is very good and just about carries the picture while the cat-and-mouse scenario is often exciting and Robert Krasker's widescreen cinematography, (it was shot mostly in the South of Spain), is certainly attractive. It's the kind of film you might expect from someone like Michael Anderson or a host of other serviceable directors slumming it in some exotic locale but from Reed you really do expect more.
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