
It's tolerable enough but Charley Grapewin's old codger Jeeter, a supporting character now given centre screen, gets on your nerves very quickly. In fact, everyone in this picture gets on your nerves very quickly, (they are all portrayed as greedy imbeciles). William Tracy is terrible as the son and a youthful Gene Tierney, (it was only her second film), is totally miscast as sex-pot Ellie May. If Marjorie Rambeau is a little less grating as Sister Bessie it's perhaps because she, at least, is trying to underplay her part and only the great Elizabeth Patterson comes out of this with any dignity. In other words, it's certainly nobody's finest hour, (except perhaps cinematographer Arthur Miller), and Ford's least of all. The only real surprise about it is how it was ever a hit in the first place.
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