Adapted by its director, Hossein Amini, from a little known novel by
Patricia Highsmith "The Two Faces of January" turns out to be a highly
satisfying tale of murder most foul very typical of Miss Highsmith. OK,
so it's not on the same level as "The Talented Mr Ripley", "Plein
Soleil" or "Strangers on a Train" but with its emphasis on plot rather
than 'action' it's still a cut above a good many of today's so-called
thrillers. Also typical of Highsmith is that the principal relationship
in the film is between two men, (though one of them is married while the
other starts to fall for the wife). The married one is Viggo Mortensen,
apparently rich and touring Greece but also harboring a dark secret.
The wife is pert little Kirsten Dunst and the man who falls for her is
tour guide Oscar Issac. At first Issac thinks he has the upper hand,
swindling Mortensen out of a few thousand dollars only to realise quite
early in their relationship that he has bitten off more than he can
chew. After awhile Dundst's character becomes almost redundant as the
men start to play power games with each other. Whereas the male/male
relationships in other Highsmith adaptations were mostly homoerotic with
at least one of the characters clearly drawn as gay. Here the
relationship is meant to evoke a father and a son, (Issac's character
has issues with his dead father). This slightly dilutes the dark heart
of the picture. Movies like "The Talented Mr Ripley" and "Strangers on a
Train" worked as well as they did because the villain was clearly
homosexual and psychopathic and you never knew where his temper and
jealous rages might take him. In this movie Mortensen is undoubtedly the
jealous straight guy while Issac is just too nice, (he's too sweet to
be a real con-man). Still, all three leading players are excellent and
Amini tightens the screws very nicely as the film progresses. Filmed,
for the most part, in Greece it will also prove something of a boost for
the Greek Tourist Board this summer.
Adapted by its director, Hossein Amini, from a little known novel by
Patricia Highsmith "The Two Faces of January" turns out to be a highly
satisfying tale of murder most foul very typical of Miss Highsmith. OK,
so it's not on the same level as "The Talented Mr Ripley", "Plein
Soleil" or "Strangers on a Train" but with its emphasis on plot rather
than 'action' it's still a cut above a good many of today's so-called
thrillers. Also typical of Highsmith is that the principal relationship
in the film is between two men, (though one of them is married while the
other starts to fall for the wife). The married one is Viggo Mortensen,
apparently rich and touring Greece but also harboring a dark secret.
The wife is pert little Kirsten Dunst and the man who falls for her is
tour guide Oscar Issac. At first Issac thinks he has the upper hand,
swindling Mortensen out of a few thousand dollars only to realise quite
early in their relationship that he has bitten off more than he can
chew. After awhile Dundst's character becomes almost redundant as the
men start to play power games with each other. Whereas the male/male
relationships in other Highsmith adaptations were mostly homoerotic with
at least one of the characters clearly drawn as gay. Here the
relationship is meant to evoke a father and a son, (Issac's character
has issues with his dead father). This slightly dilutes the dark heart
of the picture. Movies like "The Talented Mr Ripley" and "Strangers on a
Train" worked as well as they did because the villain was clearly
homosexual and psychopathic and you never knew where his temper and
jealous rages might take him. In this movie Mortensen is undoubtedly the
jealous straight guy while Issac is just too nice, (he's too sweet to
be a real con-man). Still, all three leading players are excellent and
Amini tightens the screws very nicely as the film progresses. Filmed,
for the most part, in Greece it will also prove something of a boost for
the Greek Tourist Board this summer.
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