Varda doesn't require her to do anything but exist and it's a very
'un-actressy' performance, closer to real life than to what we are used
to seeing in the movies. Now and again the film dips into the
conventional as if Varda is trying to put some meat on its bones but for
the most part, this is a remarkable work and one of the best of its
director's career.
I have been reviewing films all my life, semi-professionally in the past and for the past 10 or 12 years on imdb and more recently in letterboxd and facebook. The idea of this blog is to get as many of those reviews gathered together in one place. I have had a great deal of support and encouragement from a lot of people throughout the world and I hope that continues. Now for the ratings. **** = not to be missed. *** = highly recommended. ** = recommended. * = of interest and no stars = avoid..
Monday, 29 April 2019
VAGABOND ***
We know from the very beginning the fate of Sandrine Bonnaire's
Mona, the "Vagabond" of the title in Agnes Varda's magnificent film.
She's dead, a frozen corpse in a ditch and then, in flashbacks, we see
how she got there. Varda never passes judgment and "Vagabond", like her
very best films, is a work of observation. As well as a handful of
professional actors she uses the people of the towns and villages
Bonnaire passes through, giving the film an air of reality while Bonnaire herself is simply superb.
Subscribe to:
Post Comments (Atom)
No comments:
Post a Comment