MR SKEFFINGTON **

On the surface "Mr. Skeffingnton" may look like nothing more than another novelettish women's picture from the 1940's, designed purely as a vehicle for its star, but look more closely and you can see that it is in fact one of the great films about growing old and about how some women will deceive themselves that they never will. It is a great tragic-comedy.

Fanny Trellis is a silly, frivolous young woman while the men who flutter around her are sillier still. At first you might think there isn't much to this but when Fanny marries older and richer Job Skeffington, (a superb Claude Rains), the film deepens and darkens. Job is her brother's employer and Fanny marries Job to get her brother off the hook when he's caught with his fingers in the till. Fanny loves Job the way you might love a pet and treats him accordingly.

The movie was directed by Vincent Sherman, not the most profound of film-makers but a consummate director of women's pictures and his star is Bette Davis, (who else?), at her very finest. The greatness of Davis' performance is that she grows into the role using all her trademark mannerisms to build Fanny's character. Near the end of the film there is a magnificent sequence, stunningly shot by Ernest Haller, where Fanny, alone in her mansion, suddenly realises she is now an old woman and no longer attractive. This sequence is a triumph for director, DoP and star. Perhaps the film isn't quite a lost masterpiece; on the other hand, it's a film that transcends its genre. Perhaps I should go back and revisit the Sherman canon again.