"California Split" is Robert Altman's most loose-limbed movie. It's a virtually plotless look at at a couple of gambling buddies, (Elliot Gould and George Segal, both superb), coasting from day to day, losing as much as they win, filmed with so much over-lapping dialogue that conversations seem to disappear into the ether. It's also one of the great movies to explore friendships between men with one foot in the mainstream and the other in the experimental. Consequently, it wasn't really a success, either critically or commercially. Despite the drawing power of its leads people just didn't seem to know what to make of it. It's certainly a brilliant piece of film-making and its lack of structure makes it one of the most 'Altmanesque' of Altman films. It may not be in the very first tier but it still knocks spots of the best of almost anyone elseI have been reviewing films all my life, semi-professionally in the past and for the past 10 or 12 years on imdb and more recently in letterboxd and facebook. The idea of this blog is to get as many of those reviews gathered together in one place. I have had a great deal of support and encouragement from a lot of people throughout the world and I hope that continues. Now for the ratings. **** = not to be missed. *** = highly recommended. ** = recommended. * = of interest and no stars = avoid..
Saturday, 21 March 2020
CALIFORNIA SPLIT ***
"California Split" is Robert Altman's most loose-limbed movie. It's a virtually plotless look at at a couple of gambling buddies, (Elliot Gould and George Segal, both superb), coasting from day to day, losing as much as they win, filmed with so much over-lapping dialogue that conversations seem to disappear into the ether. It's also one of the great movies to explore friendships between men with one foot in the mainstream and the other in the experimental. Consequently, it wasn't really a success, either critically or commercially. Despite the drawing power of its leads people just didn't seem to know what to make of it. It's certainly a brilliant piece of film-making and its lack of structure makes it one of the most 'Altmanesque' of Altman films. It may not be in the very first tier but it still knocks spots of the best of almost anyone else
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