
The structure is just as complex as anything by Angelopolous as Keitel moves back and forth in time but he also makes for an uneasy observer of Balkan history and the conflict in Sarajevo and ultimately the material feels less profound than I'm sure the director intended; there's only so much old ground he can cover. It isn't a bad film; I don't think Angelopolous could make a bad film if he tried and visually it is very impressive. Rather it is simply a great disappointment from a man who can justifiably lay claim to being one of the ten greatest directors in all of cinema.
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