The family at the centre of Claude Chabrol's "La Fleur du Mal" have
several skeletons in the closet and a few that aren't in the closet at
all. They're an incestuous little bunch and have been up to no good for
at least six generations. Mum, (Nathalie Baye), is running for mayoral
office. Dad, (Bernard Le Coq), doesn't want her to win and sleeps
around. Meanwhile his son, (Benoit Magimel), is sleeping with her
daughter, (Melanie Doutey). Yes, mum and dad had been married before and
to further complicate matters, the youngsters aren't just stepbrother
and stepsister but they may or may not be cousins as well while Aunt
Line, (a superb Suzanne Flon), is haunted by memories of when her father
was a German collaborator during the war. And then there's a murder, a
splendidly Chabrolian murder with an even more splendidly Chabrolian
aftermath.
Yes, this is another wonderfully entertaining Chabrol
picture of rottenness though the only really rotten character is the
father; the others are just unfortunate enough to be part of this
particular family. The narrative isn't as tightly knit as in earlier
pictures, (this one dates from 2003), and maybe there is one too many
red-herrings. Still, no-one does this sort of thing better than Chabrol;
he relishes giving us characters we are not supposed to empathize with
and he has great fun toying with our sensibilities.
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