"Lunacy" is Jan Svankmajer's homage to Edgar Allan Poe and the Marquis
De Sade, (it's full of allusions to "Marat/Sade"), and as he tells us
himself, is a horror film and not a work of art. It is certainly the
first and I would argue it is also a work of art of quite a high order.
It combines live-action with Svankmajer's trade-mark animation in giving
us a study of what we might call 'the banality of evil' unlike almost
anything else in cinema. It is a film that moves from a barely
recognizable present to some kind of past as easily as it does from
live-action to animation existing in a kind of no-man's-land between the
real and surreal in a manner almost guaranteed to give you the very
literal creeps; this is the real thing. Yet there is also something
tongue-in-cheek about the horrors Svankmajer inflicts on us. There is a
giddy perversity to the picture that to a degree dissipates the
director's attack on the institutions he appears to condemn. This is as
much a very bizarre celebration of hedonism as it is an attack on the
communist regime. There's also an asylum in the film that makes the one
at Charenton look like a Wendy House. Perverse, yes but also utterly
extraordinary and undoubtedly one of Svankmajer's masterpieces.I have been reviewing films all my life, semi-professionally in the past and for the past 10 or 12 years on imdb and more recently in letterboxd and facebook. The idea of this blog is to get as many of those reviews gathered together in one place. I have had a great deal of support and encouragement from a lot of people throughout the world and I hope that continues. Now for the ratings. **** = not to be missed. *** = highly recommended. ** = recommended. * = of interest and no stars = avoid..
Monday, 18 November 2019
LUNACY ****
"Lunacy" is Jan Svankmajer's homage to Edgar Allan Poe and the Marquis
De Sade, (it's full of allusions to "Marat/Sade"), and as he tells us
himself, is a horror film and not a work of art. It is certainly the
first and I would argue it is also a work of art of quite a high order.
It combines live-action with Svankmajer's trade-mark animation in giving
us a study of what we might call 'the banality of evil' unlike almost
anything else in cinema. It is a film that moves from a barely
recognizable present to some kind of past as easily as it does from
live-action to animation existing in a kind of no-man's-land between the
real and surreal in a manner almost guaranteed to give you the very
literal creeps; this is the real thing. Yet there is also something
tongue-in-cheek about the horrors Svankmajer inflicts on us. There is a
giddy perversity to the picture that to a degree dissipates the
director's attack on the institutions he appears to condemn. This is as
much a very bizarre celebration of hedonism as it is an attack on the
communist regime. There's also an asylum in the film that makes the one
at Charenton look like a Wendy House. Perverse, yes but also utterly
extraordinary and undoubtedly one of Svankmajer's masterpieces.
Subscribe to:
Post Comments (Atom)
No comments:
Post a Comment