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When pitched the idea might have seemed novel if hardly riveting, (a
concert pianist about to perform finds a note on his sheet music telling
him that if he plays a wrong note he and/or his wife will be killed),
but this thriller, penned by current Hot Young Thing Damien Chazelle and
directed by Eugenio Mira, is surprisingly suspenseful. Indeed this is
the kind of conceit that Hitchcock might have toyed with, (something
similar was seen some years back when Colin Farrell found himself
trapped in a phone-box with a sniper's rifle trained on him). Of course,
that movie, "Phone Booth" had the streets of the city to play with; the
problem facing Mira is how to keep us glued to a limited set, (in this
case a concert hall), and a fixed time span, not to mention
'inflicting', on perhaps a less than enthusiastic audience, a lot of
semi-classical music. That he, and lead actor Elijah Woods, as well as
the off-screen voice of potential killer John Cusack, pull it off is a
credit to them all. Also, for something so seemingly insular, Mira makes
excellent use of the widescreen. Perhaps more destined for cult status
than mass consumption but certainly worth seeing.
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