One of Agneiszka Holland's best films, "Spoor" is a kind of ecological thriller-cum-message picture, magnificently shot by Jolanta Dylewska abd Rafal Paradowski in the Kotlina Klodzka region of Poland. Agnieszka Mandat is superb as the middle-aged teacher with a passion for animals and at loggerheads with her neighbours, hunters all; then her neighbours start turning up dead... It's certainly an unusual story, one might even say far-fetched and its ecological message is laid on a bit thick at times but Holland still manages to get considerable mileage out of it making spectacular use of her locations and giving the animals their dues. Perhaps the best thing about the film is that, while its message is clear from the start, it's never pedantic or over-stated and finally it's as a good old-fashioned whodunnit that it really works, helped no end by a superb score from Antoni Lazarkiewicz. Seek this one out.I have been reviewing films all my life, semi-professionally in the past and for the past 10 or 12 years on imdb and more recently in letterboxd and facebook. The idea of this blog is to get as many of those reviews gathered together in one place. I have had a great deal of support and encouragement from a lot of people throughout the world and I hope that continues. Now for the ratings. **** = not to be missed. *** = highly recommended. ** = recommended. * = of interest and no stars = avoid..
Monday, 7 October 2019
SPOOR ***
One of Agneiszka Holland's best films, "Spoor" is a kind of ecological thriller-cum-message picture, magnificently shot by Jolanta Dylewska abd Rafal Paradowski in the Kotlina Klodzka region of Poland. Agnieszka Mandat is superb as the middle-aged teacher with a passion for animals and at loggerheads with her neighbours, hunters all; then her neighbours start turning up dead... It's certainly an unusual story, one might even say far-fetched and its ecological message is laid on a bit thick at times but Holland still manages to get considerable mileage out of it making spectacular use of her locations and giving the animals their dues. Perhaps the best thing about the film is that, while its message is clear from the start, it's never pedantic or over-stated and finally it's as a good old-fashioned whodunnit that it really works, helped no end by a superb score from Antoni Lazarkiewicz. Seek this one out.
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