Clocking in at a very economical 78 minutes Aleksey Fedorchenko's SILENT
SOULS is a remarkable and remarkably beautiful Russian film dealing
with both grief and identity but in a manner that is both uplifting and
almost surrealistically comic. It is the kind of film that Abbas
Kiarostami might make or, in a much broader fashion, the Coens. The plot
is both simple and minimalist. A man's wife has died and he wishes to
take her body to be buried in the spot where they had spent their
honeymoon, and in the custom of their race, but he does not want to
involve the authorities so he enlists the help of a colleague, Aist, the
film's narrator and its central character and it becomes a road movie
unlike any other.
Almost nothing happens and yet there is a great
feeling that in the midst of death life goes on and that people continue
to struggle for happiness at all costs. It's a melancholy subject but
it isn't treated in a melancholy way. Little is actually said; these are
indeed silent souls and what little story there is unfolds in almost
totally visual terms and the cinematography of Mikhail Krichman is
superb. An outstanding film that certainly doesn't deserve to get away.
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