If movies were the sum of their credits, both in front of and behind the camera, then "This Property is Condemned" might have been a masterpiece. It isn't but it's a damn fine, if underrated and largely forgotten, film nevertheless. Based very loosely on a one-act play by Tennessee Williams and with a screenplay in part written by Francis Coppola, (without the Ford), it's a sweetly tough romantic drama about the relationship between a small-town dreamer of a girl, (a superb Natalie Wood), and the railroad 'fixer', (an excellent Robert Redford), who comes to stay in her mother's boarding house during the Great Depression. It's fairly conventional, predictable even, but it oozes charm, is beautifully cast, (as well as the leads there's good work from Kate Reid as Wood's less-than-wholesome mother and Mary Badham as her kid sister), superbly photographed by James Wong Howe and has a fine Kenyon Hopkins score. Of course, by 1966 movies like this were no longer in fashion. Essentially it's a throwback to the kind of films Elia Kazan was making in the previous ten years and it would sit very nicely on a double-bill with "Splendour in the Grass". So, no masterpiece then or anything close to one but a very solid, grown-up entertainment of the kind we don't see too often these days.
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