VITALINA VARELA no stars

You need to work hard at a Pedro Costa movie. His films are not for those who like speed or action or even need to see what's going on. Though shot in colour his films are more black on black and the greens, purples, blues and reds that intrude during the opening moments of his latest film, "Vitalina Varela" come as something of a shock. Otherwise, it's business as usual. Costa aficionados will love this but if, like me, you find his work 'difficult' you won't find much here that's different. My problem with Costa isn't the dark cinematography or the slow pace but the sense that everything is staged in an unreal world that we are meant to accept as 'realistic'. Costa's films are like theatrical productions in which the actors say very little and just wander around the stage though to be fair, "Vitalina Varela" is beautifully shot; darkness has never seemed more tangible.

The title character, Vitalina Varela, is a Cape Verdean woman who travels to Lisbon after the death of her husband, perhaps to set his affairs in order, perhaps just to find out more about the man who abandoned her. Vitalina Varela also happens to be the name of the actress playing her and, although she has only appeared in this and one other Costa picture, must surely be considered an actress, (she did win Best Actress at Locarno), and not just the character she is 'playing'. But then Costa likes to cast people in his films playing people who may or may not be variations of themselves. He likes to blur the lines between fact and fiction and he does so very, very slowly though certainly with a degree of skill.

There are people who swear by his films, (others may swear at them); people who see in Costa a new kind of film-maker, a saviour of the cinema in an age of paltry, mindless 'entertainments' where even the new 'art-house' directors like Claire Denis and Bruno Dumont are selling out but to quote a certain Miss Jean Brodie, 'for those who like this sort of thing, this is the sort of thing they like'. I have no doubt cineastes amongst my readers will already be picking up their brickbats to hurl at me for not loving this but hopefully not too many will have seen it and I will live to review another day.