I have been reviewing films all my life, semi-professionally in the past and for the past 10 or 12 years on imdb and more recently in letterboxd and facebook. The idea of this blog is to get as many of those reviews gathered together in one place. I have had a great deal of support and encouragement from a lot of people throughout the world and I hope that continues. Now for the ratings. **** = not to be missed. *** = highly recommended. ** = recommended. * = of interest and no stars = avoid..
Thursday, 24 July 2025
AGAINST ALL ODDS **
As long as you don't compare "Against All Odds" with the original this remake of "Out of the Past" is a perfectly serviceable neo-noir with just enough changes to its tortuous plot to keep our interest for all of its two hour running time. A well-cast Jeff Bridges is now in the Mitchum role while James Woods is a suitably sleazy stand-in for Kirk Douglas. Rachel Ward doesn't quite cut it in the Jane Greer role but in one of those movie homages Greer is now cast as Ward's mother, the kind of rich bitch any daughter would run away from and she may be the best thing in the picture. There's also a nice turn from a then 70 year old Richard Widmark as another villain.
If it has a fault it's that the pace is too languorous for the material nor can director Taylor Hackford resist a pretty picture, resorting every now and then to music video imagery, quite literally in a scene with Kid Creole and the Coconuts. It may be better than its reputation but if you also feel its been undervalued, considering Tourneur's version is a film-noir masterpiece that might be understandable.
Thursday, 3 July 2025
I SAW THE TV GLOW *
Another Indie movie that has garnered high praise from those bowled over by its strangeness and its refusal to conform to narrative norms, "I Saw the TV Glow" is certainly different and doesn't fit into any preconceived genre. Perhaps best described as a Young Adult Coming of Age movie rather than the 'horror' film it was sold as though unlike most 'coming-of-age' movies this one definitely errs on the side of the phantasmagorical if sadly rather pretentiously so. However, it is visually superb and often highly imaginative but what it lacks is substance. LGBTQ+ issues, while fairly central to the plot, are underdeveloped while the one-dimensional performances of the leads might only make you want to shake them out of their stupor. Good score, though.
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